Other

Is Snooker Popular In Africa?

166.jpg

Whenever we try to observe the ways snooker can improve its global position, we mainly target the North American region as an area which we would like to see embarked upon. While this would be a fortuitous area to try and enter, another area which I feel doesn’t get enough attention is Africa. This caused me to wonder about the popularity of the sport in that continent and whether there were relationships in place that would lead to future prosperity for snooker within the region.

Perrie Mans is probably the most notable player that has surfaced from Africa (South); a player that was a prolific winner of the South African Professional Championship, as well as 1978 WSC finalist and 1979 Masters winner. Other players included Silvino and Peter Francisco, who both managed to reach the Top 16 during the 1980s but not the level of success achieved by Mans.

The lack of prominent individuals emerging from Africa is perhaps part of the reason why the region is largely unspoken about. I imagine the same sort of thing would be happening with Australia if it wasn’t for Neil Robertson and his success in the sport. However, there are events and promotions in place that encourage participation and possible opportunities to compete on the Main Tour with the professionals.

Firstly, snooker in Africa is organised by the regional federation, the African Billiards and Snooker Confederation (ABSC), with ongoing partnerships with the WPBSA. The ABSC currently host a handful of events which include the African Mens, the highest ranking event whereby the winner qualifies to the Main Tour; the African 6-reds and Seniors, where each winner qualifies to the respective Main Tour counterparts; and a club event. There are plans to extend these opportunities to include women, under-21s and mixed doubles tournaments going into next year.

The ABSC mission is to include all countries within Africa as members of its organisation with the hope of raising snooker awareness and inclusivity. They are one-third of the way when it comes to attracting all nations to the Confederation (18/54) and have made substantial progress at involving snooker in large scale, Olympic-level events, such as the African Games and African University Games.

The ABSC’s mission of increasing its members will be aided by such events such as its inclusion in the regional games which generates significant media coverage. Currently, the limited list of members within the ABSC meant that the African Snooker Championship had primarily been won by those from Egypt or South Africa. However, the ability to win medals for playing snooker will inspire those countries and their residents to become members of the ABSC, taking the game forward.

While there is a growing interest for snooker in Africa and steps are being taken to promote the sport, the lack of a rising star may continually hinder its future chances of getting more recognition. Of those that managed to earn a tour card from winning the African Championship, none have been able to perform particularly well. This makes it increasingly difficult for Africa to get more attention, and the lack of a prominent figure won’t help in encouraging younger talent to take part in the sport.

It’s promising to see that an interest in snooker does exist within Africa, particularly from its inclusion into the African Games. Many may have assumed that snooker didn’t have much of a presence in Africa due to the lack of mentions in mainstage competition. Although, the fact that prospects for the game are budding and there is active promotion shows that chances for a future ranking event and further funding in Africa are not totally out of the question.


144.jpg

Like this Short? Click here to read: The Difficulty With Popularising Snooker In America

Have an idea for a Short post? Feel free to get in touch using the social media links below! Thanks for reading!

Ronnie O'Sullivan's Tips for Potting Snooker Balls

165.jpg

Why take the advice of a snooker blog when it comes to the basics when you can listen to guidance of a decorated, twenty-time Triple Crown winner? Back when Ronnie O’Sullivan was producing his show, he often included masterclasses to aid newcomers and amateurs in understanding the fundamentals. You can watch this here, but for the readers, here’s what you need to know!

• Walk into the shot

Getting your feet and body in position leading up to the shot can be just as important as what happens with your arms/hands on the table. Being able to setup a strong foundation in your foot placement will help in keeping your body still while you focus on cuing. The best way to do this is to take a couple steps back and walk towards the shot stepping with your right leg first, keeping it straight, and then your left leg at a slight bend (reversed if you’re a left-hander).

• Grip

O’Sullivan (and most players) tend to grip the cue where there’s around a couple of inches or so hanging out of the driving hand i.e. not holding the cue all the way at the bottom (which leads into the next tip). He also plays with the flat part of the cue facing the ceiling – something he replicated from watching Steve Davis.

He also adopts a fairly loose grip which increases in pressure as he accelerates through the ball. Having a looser grip initially will allow you to generate power following through whereby, it’s more difficult with a tighter grip due to the stiffer movement.

• Cuing Arm Position

When down on the shot, you want to ensure your playing arm hovers at roughly a 90° angle. Keeping your arm as comfortable as possible without over or under extending will allow you to feather and address the cue ball effectively. Feathering the cue ball gives you a feel for the shot, so don’t do this aimlessly! Furthermore, for greater consistency, you should make sure there is no shoulder movement and you’re striking with your elbow.

• Bridge

There are various schools of thought for the position of your bridge hand, but O’Sullivan adopts the more conventional V-shaped bridge. However, he stresses the importance of having a solid bridge so that the cue doesn’t deviate along its intended path. A way that O’Sullivan achieves this is by placing the bottom of his palm flat on the table to provide that strong surface.

• Sighting

A commonly asked question is which ball you should be looking at when taking a shot. O’Sullivan recommends ‘flickering’ between the cue and object ball using only your eyes (and not your head/body), then when you strike the cue ball, the last you thing you should be looking at is the object ball.

And those are Ronnie O’Sullivan’s tips for mastering the fundamentals! Which of these do you think are the most important to an amateurs (and even professionals) game? Which tips would you add to this list? I don’t think there can be too many that argue with the six-time World Champion, but if you can get a good grip of these basics, you’ll get far in your breaks!


32.jpg

Like this Short? Click here to read: Technique Tips - How to Pot a Ball

Have an idea for a Short post? Feel free to get in touch using the social media links below! Thanks for reading!

Which Snooker Player Would You Want To Sit Down With?

164.jpg

Similar to the famous conversation topic of ‘which celebrity, past or present, would you want to have dinner with’, I wanted to pose the snooker edition of this question to the readers, as well as name the player whose brain I would love to pick. Further to stating the player, I’ll also include the questions I would like to ask about their experiences and memories of the game.

The player I would like to sit down with would be the legendary, 15-time World Champion and snooker pioneer, Joe Davis. Davis was the figurehead for snooker during the late 1920s-40s as he took the sport by storm, seemingly unchallenged by those who contest against him. In a distant era which could be seen as a night-and-day difference to what we’re currently used to (due to conditions, equipment, governing bodies etc.), learning more about the origins of professional snooker is a gap in knowledge I would aim to fill.

For the sake of transparency, I haven’t read Joe Davis’s book ‘How I Play Snooker’. So, I’m sure that many of my questions could be answered from that, particularly those pertaining to perfecting the cue action. Nevertheless, even if I had read the book, I would still consider asking some of these questions just to hear the answers straight from the voice of Davis himself.

One of the first things I would delve into would be the nature and popularity of snooker prior to his involvement in arranging the first World Championship. I’d want to find out what sparked Davis’ initial interest in snooker that encouraged him to pursue a professional tournament for the sport, and the difficulty (if any) in persuading the BA&CC to allow a snooker event to take place.

An obvious question to ask Davis would be his thoughts on the modern game and how he would have fared on slicker cloths and lighter balls. I reckon given his proficiency in break-building during a time when snooker balls were denser and harder to control ‘on a string’, he would have handled it quite well. I’d also be keen to see how he thinks he would fit in among the current crop of players (current meaning from Pot Black onwards) since many personalities and characters have been established with snookers rising popularity.

Davis’s brother, Fred said that Joe was ‘a very good player before anyone else knew how to play the game’, so I’d want to find out exactly how he was able to evolve the game in a way that supported break-building, as opposed to the mentality of potting one or two balls then playing safe. I imagine there would have been quite some influence from his billiards success, given how high scoring the game was at the time.

I’d want to question Davis about his game specifically and whether he considered himself to have any weaknesses on the table. I’d be curious to hear his self-assessment on areas such as his long potting, safety and mental agility. Although, given the volume of frames that had to be played back in his day, I’d imagine his temperament is enviable.

Furthermore, I’d ask him to comment on the quality of his opposition back in his prime, relating to both snooker and billiards. I’d ask about the difficulties of both cue sports; which one he found more challenging, and which he preferred. Due to his dominance on the snooker table, I’d ask whether he thought his skill was vastly above the rest of the field who just couldn’t keep up. And lastly, I’d ask him to comment on some of the notable snooker players in the modern era and who he would like the chance to play against.

Of course, there are many more questions that I would ask Joe Davis but if I had to choose any snooker player to have a conversation with, he’s the guy. He experienced and lived snooker during a time which many of us won’t have memories of, and just rely on archived footage and material to understand. Davis was pivotal in introducing competitive snooker to the masses, but then went on to also dominate the sport in a way that was ahead of his time.

Which snooker player, past or present, would you want to have a sit down with? And what would you ask them? Feel free to leave your answers in the comments!


31.jpg

Like this Short? Click here to read: What was snooker like in the Joe Davis era?

Have an idea for a Short post? Feel free to get in touch using the social media links below! Thanks for reading!

How Exactly Did Snooker Become Popular In China?

162.jpg

Snooker originally started out as a game where its popularity primarily resided within the UK. Now, while this is still the case, the sport has globalised since the 1970/80s to which other parts of the world have captured the essence of the game and incorporated it within its own culture. No country has done this more so than China, but how did this come to be the case? How has snooker become such a dominant presence in China; and how has China become such a focal point within snooker?

In order to demonstrate the popularity of snooker in China, it would be useful to compare it to other sports within the country. Within the UK, major sports such as football, tennis and golf wouldn’t have to worry too much about competing with snooker for TV viewership. Compared to China, where their prevalent televised sports consist of football and basketball, must compete with the growing fandom that snooker generates.

One aspect of snooker that initially drove interest from Chinese viewers was the ‘parlour-trick’ style of display. In the early days of introducing snooker, it seemed baffling that players could pot balls in a continuous fashion, which is why audiences would clap for most routine shots. This would generate interest as viewers would grow accustomed to the nature of the game.

However, it wasn’t until James Wattana started to achieve considerable success where a little more attention was placed within the Asian market. Wattana encouraged the likes of Ding Junhui and Marco Fu to follow in his footsteps which in turn led to propelling of snooker in China. WPBSA was initially going to focus their attention on Thailand with the opening of a snooker academy in Bangkok, which apparently saw Ding graduate from this facility, although I couldn’t find further articles to verify this.

Nevertheless, the success of Ding is what really put snooker on the map in China. The government invested a lot into developing the future of the game in the country, even incorporating snooker into the school curriculum. One school even went so far as to form the World Snooker College in Beijing, which replaces textbooks and exams with snooker tables and casual clothing, in the hopes of harnessing the next big sensation.

The support available to aspiring snooker players within China has grown significantly to where there is a clear path to competing on a regional, national, and then hopefully professional level. The coaching facilities in place, such as the WPBSA-CBSA Academy is a prime example of this, which has seen players such as Yan Bingtao and Zhou Yuelong make their mark at such young ages with a World Cup team victory in 2015.

The emergence of snooker clubs in China also encouraged the participation of viewers, who wanted to try and emulate the ‘parlour-tricks’ they witness on television (or in person), and also the younger generation who want to follow the path of Ding. Beijing and Shanghai alone house well over 1,000 snooker clubs each, with more continuously being added. Fun fact: the Li Jun Billiards Club, has a top level membership which costs around $125,000 per year – I bet your £7 an hour local club isn’t sounding too bad, right about now.

Dings prominence among the tour cultivated the growing relationships between the WPBSA and China, allowing for more opportunities and staging of some of snooker’s most lucrative events. Jason Ferguson credits Ding as being responsible for ‘opening up an enormous market for us’, which has led to a significant portion of the total prize fund being sourced from the region, thanks to events such as the China Championship and Shanghai Masters.

Even when Ding retires, he has helped in building a legacy for snooker within China. Many young players are starting to earn places on the professional circuit so that way interest in the sport won’t dwindle once he has left the scene. The difficulty for the Chinese players that follow will be trying to attain a measurable level of success comparable to what Ding achieved.

The population of China is so vast that you would think it’s just a numbers game hence, a matter of time. However, many thought that by this time Asian players would be dominating the tour but this couldn’t be further from the truth, given the percentage of events still won by UK-based players. So, while the long-term plans are in place, it may still take some time before we see Asian players making up a significant portion of the World Championship.


122.jpg

Like this Short? Click here to read: Snooker Events in Australia?

Have an idea for a Short post? Feel free to get in touch using the social media links below! Thanks for reading!